Poets for A New Generation
Most readers are familiar with Emily Dickinson and Robert Frost, but there are hundreds of poets currently publishing in journals and literary magazines. Some of these poets, most of which you won't find on any required reading list, are carving out a legacy for themselves.
Here is a list of poets who may well one day appear along Dickinson and Frost in poetry anthologies assigned in schools:
Mimi's Trapeze by J. Allyn Rosser
Rosser’s poems have always given a squinty sideways glance at cultural foibles and assumptions. Her distinctive brand of cheery skepticism implies that the genuine pursuit of truth is a virtue that renders tolerable the intolerable. These poems achieve a lyricism that gives free reign to the lush energies of language while remaining transparent enough to communicate something precise, fresh, and unsettling.
How to Be Drawn by Terrance Hayes
In How to Be Drawn, his daring fifth collection, Terrance Hayes explores how we see and are seen. While many of these poems bear the clearest imprint yet of Hayes’s background as a visual artist, they do not strive to describe art so much as inhabit it.
Voted one of the five best poetry collections for 2012 by Publishers Weekly, Animal Eye employs pastoral motifs to engage a discourse on life and love, as Coal Hill Review states "It is as if a scientist is at work in the basement of the museum of natural history, building a diorama of an entire ecosystem via words. She seem snot only interested in using the natural world as a metaphoric lens in her poems but is set on building them item by item into natural worlds themselves."
Unincorporated Persons in the Late Honda Dynasty: Poems by Tony Hoagland
In Unincorporated Persons in the Late Honda Dynasty, Tony Hoagland is deep inside a republic that no longer offers reliable signage, in which comfort and suffering are intimately entwined, and whose citizens gasp for oxygen without knowing why. With Hoagland’s trademark humor and social commentary, these poems are exhilarating for their fierce moral curiosity, their desire to name the truth, and their celebration of the resilience of human nature.
Written in “a breathless kind of fury,” the poems in award-winning poet Victoria Chang’s virtuosic third collection The Boss dance across the page with the brutal power and incandescent beauty of spring lightning. Obsessive, brilliant, linguistically playful—the mesmerizing world of The Boss is as personal as it is distinctly post-9/11. The result is a breathtaking, one-of-a-kind exploration of contemporary American culture, power structures, family life, and ethnic and personal identity.
Bicentennial: Poems by Dan Chiasson
Bicentennial summons the world of Chiasson’s seventies childhood in Vermont: early VCRs, snow, erections, pizza, snowmobiles, high-school cliques, and the Bicentennial celebration, but his book is also an elegy for his father, whom he never knew and who died in 2009. In these poems, Chiasson movingly revisits the kind of autobiographical poems he wrote as a young man, but with a new existential awareness that individuals are always vanishing in time, and throughout the collection he ponders time’s conundrums.
Thrall: Poems by Natasha Trethewey
Natasha Trethewey’s poems are at once deeply personal and historical—exploring her own interracial and complicated roots—and utterly American, connecting them to ours. The daughter of a black mother and white father, a student of history and of the Deep South, she is inspired by everything from colonial paintings of mulattos and mestizos to the stories of people forgotten by history. Meditations on captivity, knowledge, and inheritance permeate Thrall, as she reflects on a series of small estrangements from her poet father and comes to an understanding of how, as father and daughter, they are part of the ongoing history of race in America.
Useless Landscape, or A Guide for Boys by D.A. Powell
D. A. Powell’s fifth book of poetry, Useless Landscape, or A Guide for Boys, explores the darker side of divisions and developments, the interstitial spaces of boonies, backstage, bathhouse, and bar. With witty banter, emotional resolve, and powerful lyricism, this collection demonstrates Powell’s exhilarating range.
Elegy for A Broken Machine: Poems by Patrick Phillips
The poet Patrick Phillips brings us a stunning third collection that is at its core a son’s lament for his father. This book of elegies takes us from the luminous world of childhood to the fluorescent glare of operating rooms and recovery wards, and into the twilight lives of those who must go on. Phillips documents the unsung joys of midlife, the betrayals of the human body, and his realization that as the crowd of ghosts grows, we take our places, next in line. The result is a twenty-first-century memento mori, fashioned not just from loss but also from praise, and a fierce love for the world in all its ruined splendor.
The Best of the Best American Poetry edited by Robert Pinsky
This special edition celebrates twenty-five years of the Best American Poetry series, which has become an institution. From its inception in 1988, it has been hotly debated, keenly monitored, ardently advocated (or denounced), and obsessively scrutinized. Each volume consists of seventy-five poems chosen by a major American poet acting as guest editor—from John Ashbery in 1988 to Mark Doty in 2012, with stops along the way for such poets as Charles Simic, A. R. Ammons, Louise Glück, Adrienne Rich, Billy Collins, Heather McHugh, and Kevin Young. Out of the 1,875 poems that have appeared in The Best American Poetry, here are 100 that Robert Pinsky, the distinguished poet and man of letters, has chosen for this milestone edition.
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